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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mungo MacCallum, press gallery cricket, 1973

Frank Hinder

fibre-tipped pen on paper

Mungo MacCallum (b. 1941) is one of Australia's best-known political journalists. The great-grandson of Sir William Wentworth, the left-leaning MacCallum was once described by Gough Whitlam as the 'lunatic son of the Australian political aristocracy'. MacCallum emerged as one of the most colourful and astute members of the Canberra press gallery during the tumultuous years of the Gorton, Whitlam and Fraser governments. He has written prolifically, for most major Australian political papers, journals and platforms including the National Review, the National Times, the Australian, the Sydney Morning Herald, the Monthly and the Drum. He also devises a weekly cryptic crossword for the Saturday Paper. Mungo: the man who laughs (2001) is his autobiographical account of Australian politics in the post-Holt years, and his How To Be A Megalomaniac, an instructional guide for aspiring politicians, appeared in 2002; his more recent books include Poll Dancing (2007) and Punch and Judy: The Double Disillusion Election of 2010 (2011). During the late 1970s and 80s members of the press gallery had a regular outing against politicians, but as a rule they both fielded very ordinary cricket sides.

Collection: National Portrait Gallery
Gift of Enid Hawkins 2003
Donated through the Australian Government's Cultural Gifts Program

Accession number: 2003.07

Currently not on display

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Artist and subject

Frank Hinder (age 67 in 1973)

Mungo MacCallum (age 32 in 1973)

Subject professions

Media and communications

Donated by

Enid Hawkins (6 portraits)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.