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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

David Gulpilil, Arnhem Land, 1981 (printed 2000)

David Moore

type C photograph on paper

David Gulpilil AM (b. 1953), Mandalbingu actor and dancer, was born near Maningrida in Arnhem Land. He was sixteen when the British filmmaker Nicholas Roeg saw him dancing and cast him in Walkabout (1971). Subsequently, he appeared in Storm Boy (1976), Mad Dog Morgan (1976), The Last Wave (1977) and Crocodile Dundee (1986). For his performance in The Tracker (2002) he was named best actor at the Australian Film Institute Awards, the Inside Film Awards and the Film Critics’ Circle Awards. His later films include Rabbit Proof Fence (2002), The Proposition (2005), Australia (2008) and the Yolngu-language Ten Canoes (2006). Some years ago, Gulpilil returned to his ancestral lands to subsist through crocodile hunting and fishing. He shared the contradictions and difficulties of his existence between Yolngu and balanda (European) cultures in his one-man stage show, Gulpilil (2004), conceived by Neil Armfield and Stephen Page. In 2013 Gulpilil was awarded the Red Ochre Prize, Australia’s highest peer-assessed honour for Indigenous artists. Following Charlie’s Country (2013) he received the best actor award in the ‘certain regard’ category at Cannes. In 2019, when he appeared in the remake of Storm Boy, he won the NAIDOC lifetime achievement award.


Collection: National Portrait Gallery
The series David Moore: From Face to Face was acquired by gift of the artist and financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/

Accession number: 2001.75

Currently not on display

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Artist and subject

David Moore (age 54 in 1981)

David Gulpilil (age 28 in 1981)

Subject professions

Performing arts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Cathy Freeman, 1994
Cathy Freeman, 1994
Cathy Freeman, 1994
Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.