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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Peter Weir, 1974 (printed 2001)

Gordon Glenn

gelatin silver photograph on paper (sheet: 50.5 cm x 60.7 cm, image: 40.0 cm x 50.3 cm)

Peter Weir AM (b. 1944) is a film director. Educated at Scots College and the University of Sydney, he worked as a stagehand at Channel 7 and made documentaries for the Commonwealth Film Unit before directing The Cars That Ate Paris in 1974. Picnic at Hanging Rock (1975) The Last Wave (1977) and Gallipoli (1981) are usually judged amongst the most distinguished of all Australian films. Weir's later films, most critically acclaimed and all commercially successful, include The Year of Living Dangerously (1983), Witness (1985), The Mosquito Coast (1986), Dead Poets Society (1989), Green Card (1990), Fearless (1992) and The Truman Show (1997), for which he won Best Director at the BAFTA awards in 1999. Weir has been nominated for four Academy Awards: Best Director for Witness, Dead Poets Society and The Truman Show, and Best Screenplay for Green Card.

Collection: National Portrait Gallery
Purchased 2001

Accession number: 2001.182

Currently not on display

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Artist and subject

Gordon Glenn (age 26 in 1974)

Peter Weir AM (age 30 in 1974)

Subject professions

Performing arts

Related portraits

Related information

The Companion

Permanent collection catalogue

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On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

In the mirror: self portrait with Joy Hester, 1939 Albert Tucker
In the mirror: self portrait with Joy Hester, 1939 Albert Tucker
In the mirror: self portrait with Joy Hester, 1939 Albert Tucker
In the mirror: self portrait with Joy Hester, 1939 Albert Tucker

Depth of Field

Portrait Photography from the Collection

Previous exhibition, 2004

Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.