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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Arthur Streeton, Nora Streeton (nee Clench) and Pat, the dog, c. 1909

H. Walter Barnett

platinum photograph on printed card (sheet: 38.6 cm x 25.1 cm, image: 20.1 cm x 13.6 cm)

More images of this artwork

Arthur Streeton (1867–1943), painter, grew up in Geelong and Melbourne and attended night classes at the National Gallery School between 1882 and 1887. In 1886 he met Frederick McCubbin and Tom Roberts, who admired his paintings and invited him to join one of the painting camps on the outskirts of Melbourne. With Roberts, McCubbin and Charles Conder, Streeton was a core member of the group of artists known as the ‘Heidelberg School’. In 1897, after several years in Sydney, moved to London with the photographer Walter Barnett and his wife. Streeton spent most of the next 25 years in Europe, working for some time as an official Australian war artist in France, and serving alongside Roberts and other expatriate Australians in the Royal Army Medical Corps at the 3rd London General Hospital at Wandsworth. He married the Canadian violinist Nora Clench (1867–1938) in 1908. Barnett later photographed the couple at their St John’s Wood home in England. Some years after the end of the war, in 1923, the Streetons returned to Australia, settling near Melbourne.

Collection: National Portrait Gallery
Purchased 2001

Accession number: 2001.168

Currently on display: Gallery Six (Tim Fairfax Gallery)

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Artist and subject

H. Walter Barnett (age 47 in 1909)

Arthur Streeton (age 42 in 1909)

Nora Streeton (age 42 in 1909)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

The sisters, 1904
The sisters, 1904
The sisters, 1904
The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)
Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions

Painting light and life

Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.

Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist
Thomas Sutcliffe Mort and his wife Theresa, c. 1847 an unknown artist

Husbands and Wives

Photographic Portraits from 19th Century Australia

Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.