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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Dobell, Potts Point, Sydney, 1960 (printed 2000)

David Moore

gelatin silver photograph on paper

Sir William Dobell (1899-1970), painter, was apprenticed to an architect and studied art in Sydney before leaving Australia for Europe in 1929. On his return to Sydney after a decade he managed to impress conservative and modernist art factions alike. In World War 2, before being appointed an official war artist, he served in a camouflage unit and the Civil Construction Corps; great portraits, including The Billy Boy, arose from this experience. Dobell was devastated by the fallout from his contested winning portrait of artist Joshua Smith in the 1943 Archibald Prize, but rallied to win both the Wynne Prize for landscape and the Archibald Prize in 1948. He won another Archibald in 1959, and Time commissioned his portrait of Robert Menzies for its cover in 1960. These and other successes of Dobell's, including his knighthood, conferred in 1966, did much to increase the status of artists in Australia.

Collection: National Portrait Gallery
The series David Moore: From Face to Face was acquired by gift of the artist and financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/

Accession number: 2001.147

Currently not on display

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Artist and subject

David Moore (age 33 in 1960)

William Dobell (age 61 in 1960)

Subject professions

Visual arts and crafts

Donated by

David Moore (79 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Dr Edward MacMahon, 1959 by William Dobell
Dr Edward MacMahon, 1959 by William Dobell
Dr Edward MacMahon, 1959 by William Dobell
Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Sir Charles Lloyd Jones, 1951 William Dobell
Sir Charles Lloyd Jones, 1951 William Dobell
Sir Charles Lloyd Jones, 1951 William Dobell
Sir Charles Lloyd Jones, 1951 William Dobell

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.