Skip to main content

To help keep our visitors and staff safe, please book your spot before visiting.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Tom Roberts

1920
Alice Mills OAM

gelatin silver photograph on paper (sight: 14.1 cm x 9.1 cm)

Tom Roberts (1856–1931), artist, came to Australia from England at the age of 13, but returned to study art in London. He arrived back in Melbourne in 1885 and established a successful portrait practice. At the same time, he began to paint outdoors with a number of other artists, including Charles Conder and Arthur Streeton, who came to be known as the ‘Heidelberg School’. Having lobbied hard for the establishment of a collection of portraits of Australian statesmen, he moved to England in 1903. There, he completed his vast ‘Big Picture’ of the opening of the Australian Parliament, but the project was exhausting, his eyesight dwindled, and he fell into a black period as the success he had hoped for in England eluded him. During the First World War he understated his age to work as an orderly at the Third London General Hospital, Wandsworth. He returned permanently to Australia in 1923, settling at Kallista in the Dandenongs. There, he mostly painted small landscapes and flower pieces.

Collection: National Portrait Gallery
Gift of Gerard Vaughan 2001

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Alice Mills OAM (age 50 in 1920)

Tom Roberts (age 64 in 1920)

Subject professions

Visual arts and crafts

Donated by

Dr Gerard Vaughan (1 portrait)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

The sisters, 1904
The sisters, 1904
The sisters, 1904
The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)
Practising the Minuet (Miss Hilda Spong)

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency