To help keep us all safe, please check our conditions of entry related to COVID-19 before visiting.
Murray Bail (b. 1941), writer, was born in Adelaide and spent several years in India and England in the late 1960s and early 1970s. In London, he wrote for the Transatlantic Review and the Times Literary Supplement. His first book of short stories, Contemporary Portraits and Other Stories, was published in England in 1975. His first novel Homesickness (1980) won the National Book Council Award and shared the Age Book of the Year Award; Holden's Performance (1987) won the 1988 Victorian Premier's Award for fiction. Bail wrote a lyrical monograph on the artist Ian Fairweather in 1981, which was republished in 2009. Described as 'one of our most remarkable fabulists', Bail has won critical acclaim and a number of major Australian literary honours, including the Commonwealth Writers' Prize and the Miles Franklin Award for the beguiling Eucalyptus (1998). His subsequent novels include The Pages (2008) and The Voyage (2012). In 2021 he published his collection of autobiographical writings, He.
Although much of his best-known landscape work is severe and sparing, Fred Williams himself was a genial and well-loved man, and produced a number of striking representations of his friends. His portrait of Bail was painted while both men were Council members of the National Gallery of Australia. Represented as slight, rumpled and ordinary, Bail looks diffident, even a little sheepish, but at the same time a man who may conceivably be cogitating a low-key story strangely irresistible to the listener.
Collection: National Portrait Gallery
Gift of an anonymous donor 1999
Donated through the Australian Government's Cultural Gifts Program
© Fred Williams
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.