Ticketed entry is in place to safely manage your visit so please book ahead. Need to cancel or rejig? Email bookings@npg.gov.au
Amy Christine Rivett (1891–1962), born into a gifted Victorian family, attended the selective Sydney Girls’ High School and studied medicine at the University of Sydney before moving to Brisbane, where she became superintendent of the Hospital for Sick Children in 1915. A disciple of Marie Stopes, intimately familiar with Brisbane’s brothels as municipal medical officer in charge of the health of licensed prostitutes, she was an early and persistent advocate of birth control. Having gained her master’s degree in surgery in 1918, from 1919 she practised in Wickham Terrace, where her doctor brother Edward joined her in 1920. (Another brother, Sir David Rivett, was CEO and then Chairman of the Council for Scientific and Industrial Research, which became the CSIRO.) In 1929 Christine Rivett became the first Queensland woman to gain an A Class pilot’s licence, and became a foundation member of the Queensland Medical Women’s Society. Meanwhile, in 1927, Edward Rivett, a devotee of alternative therapies and homeopathy, had bought a Walter Burley Griffin house in Castlecrag, Sydney, which he proceeded to convert to a private maternity hospital. Before World War II, Christine Rivett spent some months studying gynaecology and tropical diseases in England and Germany; after the war, she joined her brother in Castlecrag, practising obstetrics and experimenting in telepathy and ESP. Brother and sister died within a few months of each other.
Daphne Mayo (1895–1982), sculptor, graduated from the Brisbane Technical College in 1914 and was awarded Queensland’s first publicly-subscribed travelling art scholarship. In 1923 she received the gold medal for sculpture at London’s Royal Academy of Arts and was enabled to travel and study in Italy. On her return, Mayo worked tirelessly to promote appreciation of the arts in Queensland. Christine Rivett was a patron of the arts, and the women were friends. Mayo’s remarkably diverse works include the tympanum and Concert Hall medallions of Brisbane City Hall, and the bronze entrance doors of the Mitchell Wing of the State Library of New South Wales.
Collection: National Portrait Gallery
Gift of Mr Justice Ian Callinan 1999
Donated through the Australian Government's Cultural Gifts Program
© Estate of Daphne Mayo
Accession number: 1999.31
Copyright image request form
Request a digital copy of an image for publication
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.