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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Robert Hughes, 1996

Rex Dupain

gelatin silver photograph (sheet: 50.2 cm x 40.3 cm, image: 42.9 cm x 37.8 cm)

Robert Hughes AO (1938–2012), historian and critic, was one of one of a number of ambitious young intellectuals who left Australia in the late sixties and forged substantial careers abroad. Born in Sydney and educated at Riverview and Sydney University, he began his career like many of the figures who floated around the Sydney ‘Push’ in the late 1950s, contributing poems, cartoons, criticism and articles to Honi Soit, the Observer and Nation. He began working for Time magazine in 1970, the year his The Art of Australia was published, and henceforth lived in the USA; he was the senior art critic for Time until 2001 and continued to contribute review articles to that publication for some years. His books include The Shock of the New (1980, also a television series), The Fatal Shore (1987), Nothing if Not Critical (1990), Barcelona (1992), American Visions (1997, also a television series) and A Jerk on One End (1999), the title of which refers to his love of fishing. In 1999, just after beginning to film his television series on Australia Beyond the Fatal Shore, Hughes suffered a terrible car accident on the coast of WA. The series was cobbled together during his agonising convalescence, and Hughes had little control over the final cut, but its negative reception led to his remark that for all he cared, they could ‘tow Australia out to sea and sink it’. Named the London Sunday Times Writer of the Year in 2000, he proceeded to write Goya (2003) and a superb autobiography, Things I Didn’t Know (2006).

Rex Dupain (b. 1954) is the son iconic Australian photographer Max Dupain. Trained as a painter, Rex turned his focus to photography in the mid 1990s.

Collection: National Portrait Gallery
Purchased 1999

Accession number: 1999.26

Currently not on display

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Artist and subject

Rex Dupain (age 42 in 1996)

Robert Hughes AO (age 58 in 1996)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.