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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Cullabaa, native of Lake George, Five Islands tribe

1836
William Fernyhough

lithograph on paper (sheet: 26.7 cm x 17.9 cm)
Cullabaa, native of Lake George, Five Islands tribe

Collection: National Portrait Gallery
Gift of Dr Robert Edwards AO 1999
Donated through the Australian Government's Cultural Gifts Program

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
1999.23.6
Currently not on display
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Artist and subject

William Fernyhough (age 27 in 1836)

Cullabaa

Donated by

Dr Robert (Bob) Edwards AO (13 portraits)

Related portraits
(View all 12)

Bungaree, late chief of the Broken Bay tribe, Sydney
Bill Worrall, Five Islands tribe
Jemmy, Newcastle tribe
Mickie, Lake Macquarie, Newcastle tribe
1. Bungaree, late chief of the Broken Bay tribe, Sydney, 1836. 2. Bill Worrall, Five Islands tribe, 1836. 3. Jemmy, Newcastle tribe, 1836. 4. Mickie, Lake Macquarie, Newcastle tribe, 1836. All William Fernyhough.

Related information

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The companion
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The Companion

Permanent collection catalogue

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Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Bungaree, late chief of the Broken Bay tribe, Sydney
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Heads of the People

A Portrait of Colonial Australia

Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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