Rosemary Valadon (b. 1947) is a Sydney artist best known for large-scale oil paintings characterised by theatricality and opulence and informed with irony and feminism. Valadon studied the Meldrum style of tonal painting in the early 1970s and after travelling abroad returned to Sydney, where she completed a postgraduate diploma in art. Her interests at this time included philosophy, feminist discourse, art theory, spirituality and mythology. Between 1990 and 1996 she completed The Goddess Series, a major series of portraits of Australian women as mythological/archetypal figures, including Germaine Greer, Ruth Cracknell, Blanche d'Alpuget and Noni Hazlehurst. This was followed by paintings with themes including fairytales, wicked women and the four seasons. Valadon is a regular finalist in the Archibald, Sulman, Blake, Portia Geach and Mosman prizes, and in 1991 she won both the Portia Geach Prize and the Blake Prize for Religious Art.
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