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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Tracey, 2018

by Rod McNicol

National Photographic Portrait Prize 2019 Finalist

Tracey, 2018

Tracey, a dear friend of mine, is an Aboriginal woman with a background from both the Yorta Yorta people from the Shepparton area, and the Gunditjmara mob down Warnambool way. For years now, though, Tracey has been part of the local mob here in Fitzroy. I, too, am a long-term local of Fitzroy, having lived and worked in an old warehouse studio here on the infamous Smith Street for decades now. Smith Street is also where the local mob has always congregated; I have become very close to them over the years, forming a particularly close and enduring friendship with Tracey.

National Photographic Portrait Prize 2019
(More information, View all 39 photos)

Jackie
Black Dog
Adam, Craigieburn
Simon, Docklands

Other NPPP photos from Rod McNicol
(More information)

Barry Jones AC, 2021 Rod McNicol
2022 Finalist
Self-portrait, 2015 by Rod McNicol
2016 Finalist
My friend Siu’s dear mother, Mrs Chan, 2014 by Rod McNicol
2015 Finalist
Jack Charles
2012 Winner

Related information

Rod McNicol and Jack Charles
Rod McNicol and Jack Charles
Rod McNicol and Jack Charles
Rod McNicol and Jack Charles

Rod McNicol and Jack Charles

'We're village elders on Smith Street'

Portrait story

Rod and Jack on the series of portraits they created together.

Rod McNicol

'Life and Times'

Portrait story

Echoing 19th-century photography, Rod McNicol's portraits give us a chance to look quietly at the human condition.
Tariro, 2010 by Rod McNicol
Tariro, 2010 by Rod McNicol
Tariro, 2010 by Rod McNicol
Tariro, 2010 by Rod McNicol

Village people

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman discusses Rod McNicol's photographic portrait series Newcomers to my village.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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