National Photographic Portrait Prize 2019 Finalist
Tracey, a dear friend of mine, is an Aboriginal woman with a background from both the Yorta Yorta people from the Shepparton area, and the Gunditjmara mob down Warnambool way. For years now, though, Tracey has been part of the local mob here in Fitzroy. I, too, am a long-term local of Fitzroy, having lived and worked in an old warehouse studio here on the infamous Smith Street for decades now. Smith Street is also where the local mob has always congregated; I have become very close to them over the years, forming a particularly close and enduring friendship with Tracey.
Echoing 19th-century photography, Rod McNicol's portraits give us a chance to look quietly at the human condition.
Christopher Chapman discusses Rod McNicol's photographic portrait series Newcomers to my village.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.
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