Skip to main content
Menu
What's on The Portraits Watch
The Gallery Governance & Board Circle of Friends
Learn Access Search the website
close close
What's on The Portraits The Gallery Learn Watch More O

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait 26

December 2007 - February 2008

This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.

The hunting lodge, 2007
The hunting lodge, 2007
The hunting lodge, 2007

Seduce Amuse Entertain

by Michael Desmond

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Self portrait, 1970
Self portrait, 1970
Self portrait, 1970

Painters' paradise

by Andrew Sayers AM

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Mrs Jordan, 1762-1816
Mrs Jordan, 1762-1816
Mrs Jordan, 1762-1816

One and all

by Niamh MacNally

The current exhibition of portraits at the National Gallery of Ireland Print Gallery investigates just how paper-thin ideas of likeness are.
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

by Dr Sarah Engledow

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
George Tjungurrayi
George Tjungurrayi
George Tjungurrayi

Two painters

by Dr Christopher Chapman

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
MacKenzie family silhouette
MacKenzie family silhouette
MacKenzie family silhouette

All there in black and white

by Dr Sarah Engledow

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
"Just what is it that makes today's homes so different, so appealing?", 1956
"Just what is it that makes today's homes so different, so appealing?", 1956
"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

by Paul Moorhouse

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
The cook (Michael Schmidt/architect), 1987
The cook (Michael Schmidt/architect), 1987
The cook (Michael Schmidt/architect), 1987

Hall of mirrors

by Naomi Cass

Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.

Related information

Portrait magazine

Publications

Portrait is the preeminent journal of Australian and international portraiture.

Portrait 27

March - May 2008

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

Portrait 25

September - November 2007

This issue of Portrait Magazine features Kym Bonython, Florence Broadhurst, Frank Fenner, Henri Matisse, animated portraits and more.
Home Contact Media Privacy statement User agreement Social media and community guidelines
© National Portrait Gallery 2023
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency