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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Before Too Long

by Simon Elliott, 1 September 2004

The story behind the creation of the portrait of singer-songwriter Paul Kelly by the artist Jon Campbell.

Paul Kelly, 2004 Jon Campbell
Paul Kelly, 2004 Jon Campbell. © Jon Campbell

Over the past few years Melbourne-based artist Jon Campbell had thought about entering the Archibald portrait competition, but could not decide on a sitter. Gradually, he formed an interest in painting the singer and songwriter Paul Kelly.

Campbell had been a fan of Kelly's since about 1980. He had met him several times, once in unlikely circumstances, when Campbell's band was booked to play at a pub but ran late, and Kelly, who lived around the corner from the venue, filled in for them until they got there. Campbell had always responded to the directness of Kelly's songs; he felt there was a link between the themes and style of his own work (which has explored cars, rock music, surfing and life in the suburbs) and those of Kelly's. Also, he thought that Kelly had a 'great looking head'. He mentioned the possibility of a portrait to Kelly, and sent him some images of his work, but Kelly was both busy and shy, a 'private kind of person' and a year or so went by.

In November 2003, Campbell went to see Neil Young perform at Melbourne's Myer Music Bowl. In the beer queue at the interval he ran into Kelly, who confirmed that he was prepared for Campbell to paint a portrait of him to enter in the 2004 Archibald. The artist went to Kelly's home and took a couple of rolls of film and then drew for an hour and a half, sitting out in his backyard with some music playing, chatting generally about music and art. Although he had developed a 'fair idea' of how he would approach the portrait before he started work on it, he found that it 'took on a life of its own' as he painted it over the ensuing weeks. He intended the head to dominate the canvas; 'I wanted to keep it simplified and concentrate on line work to try and capture some of his intensity. It wasn't until I had actually started to draw him that I got a bit more of a sense of the intricacies of his features. That's the amazing thing about having someone sit for you. I had forgotten because I hadn't drawn anyone from life for a while. Once you are working and concentrating, you have a strong sense of how dark his eyes and eyebrows are, and that his nose is crooked and bumpy and that he had stubble. I hadn't really considered that I would have to paint stubble.'

Kelly was overseas while his portrait hung in the Salon des Refuses of the 2004 Archibald competition and he has not yet seen the finished work; Campbell says 'I guess I'll bump into him at some point and ask him what he thinks of it'. The artist is pleased with the result. He feels that the 'stripped back to essence' quality of the painting reflects Kelly's spare and frank approach to music.

Paul Kelly (b. 1955), singer, songwriter and producer, grew up in Adelaide and made his performing debut in Hobart in 1974. From very early on in his career, critics recognised him as one of the most important music artists in the country; the broad public caught on in 1986, when the double album Gossip by Paul Kelly and the Coloured Girls was one of the biggest Australian records of the year. Ian McFarlane, author of the Encyclopedia of Australian Rock and Pop, describes Gossip as 'one of the genuine classics of Australian rock'. The band made Under the Sun (1987) before touring the US as Paul Kelly and the Messengers. They disbanded in 1991, and from that point Kelly branched into producing and acting as well as writing and performing. In 1997 he was named Best Male artist at the Australian Record Industry Association awards and inducted into the ARIA Hall of Fame. Kelly sings with a marked Australian accent and his songs often refer to specific Australian people, places and events. Though he has written most of his long and poetic songlist alone, he has also collaborated brilliantly, particularly with indigenous performers such as Kev Carmody, Christine Anu, and Yothu Yindi, with whom he wrote 'Treaty', one of the quintessentially Australian songs performed at the opening of the Sydney 2000 Olympic Games.

Related people

Paul Kelly AO

Jon Campbell

Related information

Portrait 13, September - November 2004

Magazine

This issue of Portrait Magazine features Nancy Wake, Jon Campbell's portrait of Paul Kelly, George Selth Coppin, Henri Cartier-Bresson and more.

Portrait of George Selth Coppin, c. 1895-99 Tom Roberts
Portrait of George Selth Coppin, c. 1895-99 Tom Roberts
Portrait of George Selth Coppin, c. 1895-99 Tom Roberts

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Jean-Paul Sartre, 1946
Jean-Paul Sartre, 1946
Jean-Paul Sartre, 1946

Insightful

Magazine article by Robert McFarlane

Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.

Howard Taylor, 1988 (printed 2001) John Austin
Howard Taylor, 1988 (printed 2001) John Austin
Howard Taylor, 1988 (printed 2001) John Austin

Reflections on portraiture

Magazine article by Andrew Sayers AM

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.