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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Chevalier d'Éon, 1792

Thomas Stewart after Jean Laurent Mosnier

This painting of the celebrated French soldier, diplomat and fencer the Chevalier d’Éon (1728–1810) is the earliest portrait of a transgender person in the National Portrait Gallery Collection. There was widespread and demeaning contemporary curiosity about d’Éon’s gender identity, a subject on which d’Éon refused to speak openly. D’Éon first came to England as a diplomat, playing a key role in peace negotiations that ended the Seven Years War (1756–63) between France and Britain. Some years later, d’Éon was exiled from France for taking part in a spy scandal to sell French state secrets to the British. D’Éon returned to England in 1785, and began living openly as a woman and working, to great acclaim, as a professional fencer.

While fighting, d’Éon often wore a black dress, like the one in this portrait, and the Croix de St Louis medal, France’s military order of chivalry, also depicted. D’Éon also wears a large tricolour cockade, showing allegiance to the new revolutionary government in France, from whom d’Éon was trying to extract a state pension.

National Portrait Gallery, London Purchased, 2012
© National Portrait Gallery, London

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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