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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Copeman, gardener, Great Yarmouth

by John Dempsey

The appearance of vendors of ornamental plants ‘all a-blooming, all a-blowing’ in cries collections from the late 1790s onwards1 indicates the burgeoning enthusiasm of urban Britons for domestic gardening. Inspired by the botanical discoveries of 18th century exploration and scientific classification, and informed by the writings of picturesque and gardenesque theorists such as Humphry Repton and Uvedale Price, the English vogue for the suburban garden is also signalled by the establishment of the Royal Horticultural Society in 1804, and by publications such as John Loudon’s Encyclopaedia of gardening (1822), William Cobbett’s The English garden (1829) and the popular journal The Gardener’s Magazine (1826–44).

Nothing has been discovered about the Norfolk gardener Mr Copeman, but he is occupationally identifiable by his blue apron and by the potted roses and mustard flowers he carries in his huge hands, as well as by the curving beds at his feet in which more roses, as well as tulips and pansies, grow in stylised, china-decoration array. Copeman may have been an outdoor servant on a gentleman’s estate, or possibly an employee of the Royal Nursery, a commercial horticultural enterprise established at Yarmouth by Edward Youell.

Collection: Tasmanian Museum and Art Gallery, presented by C. Docker, 1956

Related information

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey
Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Copeman, gardener, Great Yarmouth by John Dempsey
Copeman, gardener, Great Yarmouth by John Dempsey
Copeman, gardener, Great Yarmouth by John Dempsey
Copeman, gardener, Great Yarmouth by John Dempsey

Dempsey's people

A folio of British street portraits 1824–1844

Previous exhibition, 2017

Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.

The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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