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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ad Infinitum: Self, 2009

by Stephanie Morrow

Ad Infinitum: Self, 2009

Ad Infinitum: Self is from a series of portraits of people close to me. I adopted the conventions of 16th-century portraiture because it focuses attention on the subject's mind. By stripping away facial hair and makeup and providing sparse backdrops, my sitter's gaze and therefore their character assumes primary importance. This helps me convey my love and respect for the people in my images. Using the conventions of formal portraiture also helps to insist that my subjects are important, that their thoughts and actions are of significance not only to me but also to the community and the world.

NYSPP 2010

National Youth Self Portrait Prize
(More information, View all 15 images)

Hydropomanic Magic
The Dreamer
Self Portrait as Burke
Self Portrait

Related information

Hugh, 2009 by Hugh Marchant
Hugh, 2009 by Hugh Marchant
Hugh, 2009 by Hugh Marchant
Hugh, 2009 by Hugh Marchant

National Youth Self Portrait Prize

NYSPP 2009

Previous exhibition, 2009

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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