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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Atlanta 1984

Atlanta 1984

Harry Callahan
dye transfer print
SFMOMA, Accessions Committee Fund purchase;
© The Estate of Harry Callahan, courtesy Pace/ MacGill Gallery, New York

Exposed: Voyeurism Surveillance and the camera since 1870
(More information, View all 10 images)

Iraq Perspectives II 8 20032007
Stranger No 1 1998
Stranger No 2 1999

Related information

Audience in the Palace Theater c1943
Audience in the Palace Theater c1943
Audience in the Palace Theater c1943
Audience in the Palace Theater c1943

Exposed: Voyeurism Surveillance and the camera since 1870

Magazine article by Sandra Phillips, 2010

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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