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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Nangari (Crow), 2018

Shirley Purdie

natural ochre and pigments on canvas (unframed: 45cm x 45cm)
Nangari (Crow), 2018
 

Collection: National Portrait Gallery Purchased 2019
© Shirley Purdie/Copyright Agency, 2023

Related information

Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe
Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

27 May 2020

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
© Shirley Purdie/Copyright Agency, 2020
© Shirley Purdie/Copyright Agency, 2020
© Shirley Purdie/Copyright Agency, 2020
© Shirley Purdie/Copyright Agency, 2020

Ngalim-Ngalimbooroo Ngagenybe

Shirley Purdie

Previous exhibition, 2020

Using ochres collected on her country in Western Australia’s East Kimberley, Shirley Purdie’s self-portrait is a kaleidoscope of traditional Gija stories and Ngarranggarni (Dreaming) passed down to her.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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