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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Test #5 Garrett in landscape: Preparatory study for 'Nothing's as precious as a hole in the ground'

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Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett

Peter Schipperheyn

'A quintessential Australian character'

Portrait story

Sculptor Peter Schipperheyn talks about working with marble and his portrait of Peter Garrett.
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

The Gallery

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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