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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'

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Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett
Peter Schipperheyn with bust of Peter Garrett

Peter Schipperheyn

'A quintessential Australian character'

Portrait story

Sculptor Peter Schipperheyn talks about working with marble and his portrait of Peter Garrett.
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Johnny O'Keefe
Johnny O'Keefe
Johnny O'Keefe
Johnny O'Keefe

Making Portraits

Five Years of National Portrait Gallery Commissions

Previous exhibition, 2004

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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