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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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David Potts reflected in a magazine page

Related information

Clifton Pugh painting in the studio
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney
Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester

Depth of Field

Portrait Photography from the Collection

Previous exhibition, 2004

Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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