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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Thinking of England

‘I said to Albert we should be very, very intimate together, and that he might come in and out when he pleased. ... Oh! How happy I shall be to be very, very intimate with him!’

1 Her Majesty seated, 1860. 2 Prince Albert, 1860. Both John J. Mayall.

We hear so much about Queen Victoria being a perfect nugget of nineteenth-century womanhood, yet she proved an exception to many rules. There was her marriage, for instance. True, it was typically monarchical in being arranged with bloodlines in mind, and yes, it fulfilled the purpose of producing an heir (and then some). Betrothal to her cousin, Prince Albert of Saxe-Coburg and Gotha, had long been on the cards, so it must have been a bonus for Victoria to find that she really fancied him. ‘I NEVER, NEVER spent such an evening!’ she wrote of her wedding night, and subsequent journal declarations show she privately disavowed the ‘Victorian’ notion that proper women should lie back and think of England. Victoria was famously bereft when she was widowed at age 42, having lost not only a consort but a man she truly loved – in every sense of the word.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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