Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

This major exhibition celebrates 100 years of Australia’s oldest and most-loved portrait award and reflects upon the changing face of our nation.

Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.

Archie Moore is a celebrated Kamilaroi and Bigambul artist whose practice is embedded in the politics of identity, racism and language systems. Mīal is a conceptual self portrait that counters expectations of what a self portrait should be.

The exhibition will feature some of the most significant portraits in the artist’s career to date, from early major works such as his painting of HM Queen Mary of Denmark through to his most recent.

Marri Ngarr artist Ryan Presley’s major installation greets you as you arrive at the Gallery, in a work that invites conversations about the ongoing legacies of colonisation.

Launched at the National Portrait Gallery in 2022, the Little Darlings Youth Portrait Prize is a competition for primary and secondary students, with four separate age categories across Kindergarten to Year 12.

The Darling Portrait Prize is a biennial national prize for Australian portrait painting honouring the legacy of Mr L Gordon Darling AC CMG.

The National Photographic Portrait Prize 2024 celebrates established and emerging artistic talent from across the country.

Discover 50 colonial-era collection works alongside 50 works by contemporary artist Joan Ross. With wit and wry critique, Ross will make you consider the artist’s role in determining which stories are told, about who and why.

Tracey’s Moffat’s complete Some Lads series powerfully and playfully depicts Russell Page, Larrakia man Gary Lang, Muruwari man Matthew Doyle, and Graham Blanco, a descendant of the Mer (Murray Island) people.

A most beautiful experiment responds to Congolese photographer Jean Depara’s documentation of Kinshara’s nightlife in the 1960s.

Drawn from the National Portrait Gallery collection, this salon-style hang references the lavish 18th- and 19th-century European salons where paintings were hung floor-to-ceiling.

Carol Jerrems: Portraits is a major exhibition of one of Australia’s most influential photographers. Jerrems’ intimate portraits of friends, lovers and artistic peers transcend the purely personal and have come to shape Australian visual culture.

This show, staged alongside the major exhibition Carol Jerrems: Portraits, spotlights the work of three contemporary Australian artists whose work sits in dialogue with Jerrems’ legacy.