Featuring 130 works across painting, film, photography, screen printing, sculpture, and then some – it explores our inner worlds, outer selves, intimacy, isolation, celebrity and more.

Encompassing the 1820s to the 2020s, Time and Line showcases the depth and extent of our drawing collection.

It takes a village to raise a creative! Get an insight into the often-unseen work and supporters needed for the arts to thrive. The work of art documents the creative process, evoke states of creativity and inspiration, and shows us clues about the subject’s own work from the way artists portray them.

Enjoy, sit back, and relax with some of our favourites from the Gallery’s collection, where they find themselves expertly – and comfortably – captured by their artists.

Portraiture. Not as you know it. We invite you to stretch, push, resist and transcend portraiture’s conventional constraints.

Join us in the Gallery for this free 30-minute tour of the collection, exploring portrait stories and the history of the building.

A collection display that showcases some recent major acquisitions including Nell and Julie Rrap.

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘identity’, students painted, drew, photographed, printed or combined all of these to make their portrait.

Australian portraiture of the mid-twentieth century was rich with the influence of European modernism, exemplified by the work of artists including Arthur Boyd, Judy Cassab and Clifton Pugh.

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

In partnership with Big hART we are proud to present Gulgawarnigu - Thinking of something, someone, a national presentation of digital artworks created from Ngarluma country leramagadu (Roebourne), in the Pilbara region of Western Australia.

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

We all have places where we feel at ease, a sense of belonging, of ownership, of relaxation, of self. Given the opportunity, portraitists love to place their sitters in an environment where they are most at home.

Encompassing works created over the past 80 years, this selection of portraits from the Gallery’s collection celebrates inventiveness and diversity in approaches to self portraiture.

The selection of works in Frocked up richly demonstrates the interconnectedness of costume and portraiture – and the many ways in which artists have employed the representation of dress to powerful, insightful effect.

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

This major exhibition celebrates 100 years of Australia’s oldest and most-loved portrait award and reflects upon the changing face of our nation.

Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.