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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Aborigines, the last of the race, Tasmania

c. 1866
Henry Frith

albumen silver photograph on paper (sheet: 31.5 cm x 28.3 cm, image: 20.0 cm x 16.8 cm)

Trukanini (c. 1812–1876) is arguably nineteenth century Australia’s most celebrated Indigenous leader. A Nuennone woman and the daughter of Mangana, chief of the Recherche Bay people, Trukanini experienced the loss of her mother, sister and intended husband – all as a result of white violence – at a young age. Believing that she might be able to assist in protecting her people, in 1829 Trukanini joined the group of Palawa leaders associated with George Augustus Robinson, an evangelically-inclined free settler who'd been appointed to effect the removal of Tasmania's Aboriginal people to a mission station, Wybalenna, on Flinders Island in Bass Strait. Trukanini remained one of Robinson's most important companions throughout the course of his so-called 'Friendly Mission', the name given to a series of journeys conducted by Robinson between 1830 and 1835. Trukanini went to Wybalenna in 1835, but held to her traditional ways despite the expectation that the Aboriginal people there would adopt European customs and religion. She travelled with Robinson in 1839 to the Port Phillip district, where she later engaged with four others in raids against white settlers. She returned to Flinders Island in 1842; when Wybalenna closed in 1847, Trukanini was among the remaining residents relocated to Oyster Cove, a former convict depot south of Hobart and close to her traditional country. Trukanini died in Hobart in May 1876. As she had feared, her skeleton was stolen from her grave and later displayed at the Tasmanian Museum. The Tasmanian Aboriginal community eventually won the fight to have her wishes honoured: her bones were cremated on the 30th of April 1976 and the following day her ashes were scattered with due ceremony on the D'Entrecasteaux Channel. Trukanini was erroneously referred to during her lifetime and beyond as the ‘last Tasmanian’ – a false notion attested to by the many descendants of her contemporaries still living in Tasmania today.

William Lanne (1834-1869), also known as King Billy or William Laney, is said to have been Truganini's third partner. Lanne was captured along with his family in 1842 and taken to the Aboriginal camp at Wybelenna on Flinders Island. He moved for a time to Oyster Cove in 1847, before spending the years until 1851 in a Hobart orphanage. Four years later he joined a whaling ship. Regarded as the last surviving male of the Oyster Cove clan, Lanne died in March 1869 from a combination of cholera and dysentery.

Pangernowidedic also known as Bessy Clark (c. 1825-1867) was a woman from the Port Davey district in south west Tasmania, the daughter of Tingernoop and Cordwanene. She died at the Oyster Cove station in 1867.

Purchased 2006

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Henry Frith

Trukanini (age 54 in 1866)

Mary Ann (age 47 in 1866)

William Lanne (age 32 in 1866)

Bessy Clark (age 41 in 1866)

Subject professions

Government and leadership

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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