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The National Portrait Gallery's third exhibition of secondary
student art will feature 170 self-portraits by Year 7-12 students
from Canberra and the surrounding regions. Works range across
media - mixed media, painting, collage, sculpture, wearable art,
drawing, photography, print-making, video, and paintings.
The self-portrait enables students to explore emerging and
changing aspects of their own identity, their sense of self,
their place in the world, their experience of being human. This
exhibition of secondary student portrait art is an important
way for students to assimilate their own ideas about self-identity
and art making processes. In Being Me: Headspace IIII emphasis is placed on the process of realising ideas through
experimentation with materials.
Student programs and teachers' evenings are scheduled as part
of this exhibition. |
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Lauren Ferns
Self-portrait
lino print
30 x 15 cm
Year 9
St Francis Xavier College, Canberra
Artist's Statement
This portrait is a cartoon form of a photograph taken. We used
three different colours (yellow, red and blue) plus black to create
a simple image. The black lines are thick and give the artwork
definition while the bright colours create an unrealistic view
of what I look like. |
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Joel Gaudiosi
Self-portrait In Apron
pen/ink on paper
29 x 23 cm
Year 7
Edmund Rice College, Wollongong
Artist's Statement
I really like drawing. These special pens make thick and thin
lines with heavy and light pressure. |
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Chris Hobbs
Wildlife
dry point etching
7 x 9 cm
Year 8
Edmund Rice College, Wollongong
Artist's Statement
The day I started this artwork I did not know what I should do.
Our teacher wanted us to work on self-portraits but after I did
it, it looked a bit plain. I really like animals so I decided
to add a bird and a possum onto my shoulders. There is the idea
of fun about this picture. |
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Oliver Hunter
Green Man
oil on oilsketch paper
65 x 46.5 cm
Year 10
MacKillop Catholic College/Isabella Plains Campus, Canberra
Artist's Statement
Leaves rustle in the deepening twilight. The trees whisper their
secret messages from branch to branch. There seems no end to the
darkness of the woods, where passages of foliage echo with the
laughter of Green Man. Medieval Theologians held that man possessed
the intellect of angels, the reason of humankind, the intuition
of animals, and the innate life force of the animal kingdom. The
Green Man is a pagan figure that survived throughout the Christian
expansion period, symbolising the cycles of nature and the new
growth of Spring. He is also associated with the wild periods
of creative genius in the lives of artists, poets, musicians and
shamans. 'To be wood' in Medieval terms was to undergo a period
of instability and abandon, to escape into a world apart from
that of the everyday. When I paint, I enter this same place, populating
the canvas with the various creatures I meet within. Green Man
is an expression of my personal desire to escape into this world.
It is a reflection of my creative personality and a synthesis
of my human nature and my environment. Here the Green Man looks
down as a guardian of the paths within the soul, leading the traveller
deep into the wild wood of the subconscious
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Janelle McKay
The Joy Of Life
synthetic polymer/mixed media on board
45 x 60 cm
Year 11
Daramalan College, Canberra
Artist's Statement
Life is an amazing concept.
If we can find joy in the mere experience of living, then what
happy souls we would be.
Our lives are like flowers,
We are warmed by the sun,
Nourished by the rain,
As we grow more we face challenges,
Which can hurt but ultimately make us stronger.
Then, in time, we rise up closer and closer to the glory of the
sun.
For me flowers are a representation of joy and life.
This is what I have tried to express in my painting. |
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Grayson Stopp
Infinite
synthetic polymer on oilsketch
74 x 62 cm
Year 12
MacKillop Catholic College/Isabella Plains Campus, Canberra
Artist's Statement
As a student studying in Year 12, my future is very uncertain
at this stage in my life. Therefore, instead of depicting myself
very clearly, I decided to break my face down into small, unfocused
pieces. Since our society has become very dependent on science
and technology, I created my piece to appear as though it was
both futuristic and computer generated. In constructing my final
image, I was influenced by the work of Chuck Close. |
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Megan Thomas
The Sum Of My Parts
type C photograph
18.5 x 18.5 each image
Year 12
Narrabundah College, Canberra
Artist's Statement
In presenting my self-identity, I chose to divide the physical
features of my face into four separate photographs. Each image
represents a different aspect of my personality. The eye represents
my confident qualities. The side of my face represents my reflective
nature. The sandwich represents my balanced healthy life style,
and the flute represents my love of music. By combining these
four images, I am aiming to give the viewer some clues into my
personality, without revealing myself completely. This is achieved
through the distortion that has been created by the four photographs.
By doing this, I am seeking to illustrate the notion that we are
more than the sum of our parts. |
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Phillipa Webb
One
lino print
25 x 20 cm
Year 9
The Scots School Albury, Albury
Artist's Statement
Being at boarding school friendship is the most important thing
to keep you sane. I thoroughly enjoyed putting together this artwork
as it was very fulfilling seeing the final product of a lino block
print. The print, especially the 'hug' shows a sense of depending
on each other. The way I have set up the work symbolises how our
friendship is growing and moulding us together. |
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