WEBVTT 1 00:00:01.740 --> 00:00:04.140 What a great turnout, thank you for being here. 2 00:00:04.140 --> 00:00:06.610 I'd personally like to welcome you all 3 00:00:06.610 --> 00:00:08.950 to the National Portrait Gallery here today, 4 00:00:08.950 --> 00:00:11.640 and I acknowledge the traditional custodians of this land, 5 00:00:11.640 --> 00:00:14.290 the Ngambri and the Ngunnawal peoples. 6 00:00:14.290 --> 00:00:15.123 Hello, I'm Karen Quinlan, 7 00:00:15.123 --> 00:00:18.242 the director of the National Portrait Gallery of Australia. 8 00:00:18.242 --> 00:00:19.860 This is the 13th year 9 00:00:19.860 --> 00:00:21.763 of the National Photographic Portrait Prize. 10 00:00:21.763 --> 00:00:23.690 We were very excited to receive 11 00:00:23.690 --> 00:00:26.470 over 2,500 entries this year. 12 00:00:26.470 --> 00:00:28.610 We are proud to present this beautiful exhibition 13 00:00:28.610 --> 00:00:31.020 of the 48 finalists. 14 00:00:31.020 --> 00:00:33.203 The winner of the National Photographic Portrait Prize 15 00:00:33.203 --> 00:00:36.790 this year will be awarded over $50,000 in prizes, 16 00:00:36.790 --> 00:00:39.740 including $30,000 in cash from the Portrait Gallery, 17 00:00:39.740 --> 00:00:42.040 plus a range of the latest photographic equipment 18 00:00:42.040 --> 00:00:45.450 from Canon, valued at $22,000. 19 00:00:45.450 --> 00:00:46.820 The highly commended photographer 20 00:00:46.820 --> 00:00:51.010 will receive an Eizo ColorEdge 27-inch monitor, 21 00:00:51.010 --> 00:00:53.700 valued at over $3,000. 22 00:00:53.700 --> 00:00:55.490 The photographer who receives the most votes 23 00:00:55.490 --> 00:00:58.160 in the People's Choice Award will receive a prize 24 00:00:58.160 --> 00:01:02.020 of fine art printing to the value of $2,200, 25 00:01:02.020 --> 00:01:04.320 thanks to Sun Studios. 26 00:01:04.320 --> 00:01:06.060 Exhibitions like this are made possible 27 00:01:06.060 --> 00:01:08.700 thanks to the generous support of our partners. 28 00:01:08.700 --> 00:01:10.560 For this exhibition, we are also grateful 29 00:01:10.560 --> 00:01:12.330 for the support of Midnight Hotel, 30 00:01:12.330 --> 00:01:14.660 the Autograph Collection, Canberra. 31 00:01:14.660 --> 00:01:16.940 Now, for the very exciting moment. 32 00:01:16.940 --> 00:01:20.920 The winner of the 2020 NPPP highly commended prize 33 00:01:20.920 --> 00:01:23.870 is awarded to Hugh Stewart for his portrait 34 00:01:23.870 --> 00:01:27.700 of 105-year-old dancer Eileen Kramer. 35 00:01:27.700 --> 00:01:29.938 It is my great pleasure to let you know that the winner 36 00:01:29.938 --> 00:01:33.630 of the 2020 National Photographic Portrait Prize 37 00:01:33.630 --> 00:01:38.370 is Rob Palmer for his portrait of Chef Josh Niland, 38 00:01:38.370 --> 00:01:39.923 titled "The Mahi-Mahi." 39 00:01:39.923 --> 00:01:40.941 (man cheers) (audience applauding) 40 00:01:40.941 --> 00:01:42.274 Congratulations. 41 00:01:45.524 --> 00:01:47.910 (both laughing) 42 00:01:47.910 --> 00:01:51.217 Thank you. 43 00:01:52.188 --> 00:01:53.510 Rob, congratulations on winning 44 00:01:53.510 --> 00:01:54.980 the National Photographic Portrait Prize. 45 00:01:54.980 --> 00:01:56.430 Thank you so much, Gill. 46 00:01:56.430 --> 00:01:57.263 Thank you so much. 47 00:01:57.263 --> 00:02:00.183 Can you tell us a little bit about this amazing portrait? 48 00:02:01.230 --> 00:02:05.262 This is a picture of Josh Niland who is the chef and owner 49 00:02:05.262 --> 00:02:07.890 of Saint Peter restaurant in Sydney. 50 00:02:07.890 --> 00:02:11.420 Josh does a lot of amazing stuff with fish at the moment. 51 00:02:11.420 --> 00:02:14.460 It's earned him a lot of accolades around the world. 52 00:02:14.460 --> 00:02:18.230 But one of his big things is using all of the fish, 53 00:02:18.230 --> 00:02:20.701 so he's aiming towards zero waste. 54 00:02:20.701 --> 00:02:23.379 All the parts of the fish are used in his cooking. 55 00:02:23.379 --> 00:02:25.411 Traditionally, western cultures 56 00:02:25.411 --> 00:02:29.900 like to avoid eyes and bones and scales. 57 00:02:29.900 --> 00:02:31.713 A lot goes into Josh's cooking. 58 00:02:32.820 --> 00:02:34.647 Did you just wake up one morning and think, 59 00:02:34.647 --> 00:02:36.760 "I need to take a portrait of Josh"? 60 00:02:36.760 --> 00:02:38.820 How did the actual sitting come about? 61 00:02:38.820 --> 00:02:41.030 Well, Josh and I have been working together last year 62 00:02:41.030 --> 00:02:41.863 on a book that he's done. 63 00:02:41.863 --> 00:02:43.610 He's done his first cookbook. 64 00:02:43.610 --> 00:02:45.247 So we've been working together 65 00:02:45.247 --> 00:02:47.403 over a period of a week or two. 66 00:02:48.290 --> 00:02:51.780 This was just a moment that's during that shoot 67 00:02:51.780 --> 00:02:53.944 that presented itself where Josh pulled out 68 00:02:53.944 --> 00:02:57.560 this massive mahi-mahi and he just had this sort of, 69 00:02:57.560 --> 00:03:00.030 I mean, he has so much respect for the food 70 00:03:00.030 --> 00:03:01.020 and the fish he works with, 71 00:03:01.020 --> 00:03:03.399 and it's just this almost intimate moment 72 00:03:03.399 --> 00:03:07.903 between him and his fish. 73 00:03:07.903 --> 00:03:10.220 Did you have to set up the composition much at all 74 00:03:10.220 --> 00:03:11.630 or is this all pretty, 75 00:03:11.630 --> 00:03:14.160 was there any sort of artificial lighting that you needed, 76 00:03:14.160 --> 00:03:16.180 or is it all fairly natural? 77 00:03:16.180 --> 00:03:18.583 This is just shot with one light. 78 00:03:20.319 --> 00:03:21.773 I was saying earlier that you, 79 00:03:21.773 --> 00:03:23.860 some shots you kinda gotta fight for 80 00:03:23.860 --> 00:03:28.120 to compose them and get the subject right and light them. 81 00:03:28.120 --> 00:03:30.170 This is one of those shots that presented itself, 82 00:03:30.170 --> 00:03:34.566 and it was almost my job to just document that 83 00:03:34.566 --> 00:03:38.070 without putting too much of my thumbprint on it. 84 00:03:38.070 --> 00:03:40.239 So it's just very basic lighting. 85 00:03:40.239 --> 00:03:41.420 Fabulous. 86 00:03:41.420 --> 00:03:44.440 And there was a kind of an entertaining moment earlier 87 00:03:44.440 --> 00:03:46.770 at the announcement where it suddenly dawned on you 88 00:03:46.770 --> 00:03:47.894 what you'd actually won. (laughs) 89 00:03:47.894 --> 00:03:50.180 (laughing) Yes, I had. 90 00:03:50.180 --> 00:03:51.893 You sort of enter these amazing competitions 91 00:03:51.893 --> 00:03:53.814 and I don't enter them very often, 92 00:03:53.814 --> 00:03:55.790 and you don't ever expect to win them. 93 00:03:55.790 --> 00:03:59.446 So I'd always dreamt of being involved with something 94 00:03:59.446 --> 00:04:01.130 with the National Portrait Gallery, 95 00:04:01.130 --> 00:04:02.080 but I never expected to win, 96 00:04:02.080 --> 00:04:04.770 so I hadn't really read all of the rewards. 97 00:04:04.770 --> 00:04:07.068 And so when it got read out before us, 98 00:04:07.068 --> 00:04:10.480 like, wow, (laughing) there's some amazing prize 99 00:04:10.480 --> 00:04:12.400 involved in this, too. 100 00:04:12.400 --> 00:04:13.233 Well, congratulations. 101 00:04:13.233 --> 00:04:16.460 And thanks so much for sharing this amazing portrait with us 102 00:04:16.460 --> 00:04:17.807 and with everybody in Australia. 103 00:04:17.807 --> 00:04:19.198 Congratulations. Thank you very much. 104 00:04:19.198 --> 00:04:20.040 Thank you very much. 105 00:04:20.040 --> 00:04:20.873 I'm stoked.