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(upbeat inspirational music)
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My, kind of, way of living
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is not trying to live in regrets.
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I think everything you do takes you a step further to
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being the best you can.
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You make a mistake, you gave it go,
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and you must try it again.
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And there's always gonna be a way out.
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It's just being patient with it, it's all.
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Learning the patience.
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I'm always learning, I think.
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I'm always kinda finding people that
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are inspiring me everyday,
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and I always felt it was just healing.
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Music is a healing process for me,
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and I'm sure it kind of really takes people
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through their story, at times, when they're by themselves,
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or when they're with a group of people, or crowd.
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You feel this, kind of, permission to just be you.
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I think that's why I'm so close with music.
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That's why I'm, I have so much faith in it,
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and I put everything into it.
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You know, in the 15 years that I've been working,
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my way of presenting music, or performing, or singing,
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so, you know, I have so much respect for it,
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and you know, and we'll never lose that because
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it's always given me something back.
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Jess had this incredible energy,
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which really seems to come across and she also seemed
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to be a very, sort of, authentic person.
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And that sense of vitality, and sort of optimism as well,
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is something that I really wanted to get across
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in the portrait.
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And we talked about art, and music,
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and how you sort of represent that, in a sort of,
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visual medium, so it was sort of collaborative,
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very much in terms of those initial conversations.
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The photographic shoot was quite a simple set up really.
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Just had a sort of, large black backdrop
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and the photographs were black and white,
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and they're just taken on this old 35 millimetre camera
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of mine, so it was all very low-tech and quite simple
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lighting, so it really makes it a much more, sort of,
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human interaction I think, in terms of the relationship
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between the photographer and the sitter.
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There's not a lot of, sort of, technology
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or other, sort of, imagery in the way.
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The technique that I was using was the double exposure,
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where you run the same film through the camera twice,
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so you effectively take two images and one overlaps
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on top of the other.
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There's not a great degree of control that you have
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as to which image, sort of, overlays with what,
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and how the two images combine,
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and I kind of really enjoy that sort of element
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of chance and the sort of unexpected sort
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of nature of that process.
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In the past, when I've done portraits in this,
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using this method, I've probably taken maybe four or five
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rolls, but because this was, you know, the stakes
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are a little bit higher, I took about 14 rolls.
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So, yeah.
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(upbeat inspirational music)
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I had, really had working parents who
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just wanted their children to, you know, succeed in life
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and do what they love and have a good life,
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but also a giving one, so that those values
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and those traditions in culture could be carried on.
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So, I think all of those kind of really come into play
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when I make that a part of my job.
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There's nothing like being a part of your community,
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and possibly making a difference, just by being yourself
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and making a pathway for the next generation
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or for people to come who wanna leave their mark
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and tell their stories.
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It's pretty, yeah, it's pretty cool.
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I really wanted to present this
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multifaceted perspective of Jessica.
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We talked about this idea of chaos and stillness
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and how she manages to stay quite, sort of, centred
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within herself despite the sort of crazy lifestyle
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and I think she was about to head off to Eurovision,
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so with one of the layers of the images, she'd be
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quite still and looking directly at the camera
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and then with one of the other layers, she was sort of
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doing more movement.
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(upbeat inspirational music)
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The portrait process has been different,
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I guess, working with David on, just having a bit of a play,
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having a bit of movement, really creating those layers
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of personality, and that's what we're channelling
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in the studio, is being strong, being loving to yourself
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and kind, but also being wild.
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I think, there's nothing like just being yourself
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and finding those little things that either make you tick
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or challenge you or make you feel so alive,
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is what we're creating in this portrait.
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I hope the portrait will convey
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Jessica in a way that, there's this really strong
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sense of inner confidence and strength and directness,
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that the viewer can connect with,
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but at the same time I wanted to have some other
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more, sort of, mysterious or intangible quality
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to the portrait, which represents something a little bit
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more emotional, which relates not to her singing,
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you know, which does I think connect with you
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in a slightly more sort of intangible and almost
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a physical way, it sort of cuts through,
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so I'm hoping that those two sort of,
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aspects will be present.
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(upbeat inspirational music)
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Yeah, I, wow, there are so many things,
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you could go for days.
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But I think, honestly, to really take pride
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in themselves, I really hope this photo projects
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their inner spirit, their inner souls, their courage.
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I want it to almost be like a mirror image of them,
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in the sense that they can do whatever
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they put their mind to.
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You know, I think it is about being brave
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and trying to find whatever that confidence within you,
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that's so, deep down there, be kind to it,
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and it'll come up every time you do it and you try.
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(upbeat inspirational music)
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Thank you.
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That's crazy, how crazy is that?
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It's super awesome.
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Wow!