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Can you just tell us why you chose John
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and how the portrait came to be?
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John is a very unique character
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so I really wanted to capture that uniqueness.
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And every time we meet,
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he's come up with like multiple schemes and ideas
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and, you know, very vivid imagination.
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I wanted to capture his vulnerability
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and therefore I disrobed him for the painting.
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I'm Caroline's muse and I've met her a few years ago
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and we've had lots of fun together
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and she asked to paint my portrait.
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I sat down and she said, "Could you take your shirt off?"
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I said, "Yes."
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She said, "Do you wanna take your trousers off?"
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I said, "No."
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(woman laughs)
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And she just did it.
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With the carpet,
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it's like a garden surrounding the menorah,
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'cause John is Jewish.
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So that signifies his Jewish faith,
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but also like the flowering garden
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of all his harebrained ideas.
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Thanks for that.
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(woman laughs)
Yeah.
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But also we've often like had conversations about,
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you know, that we've both had the opportunity
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to live sort of two lives in one lifetime.
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So I called it "Man with Two Lives."
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And, yeah, the empty chair sort of represents, you know,
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like the jabbling of a person and you know, the opportunity,
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you know, to move from one to another type of being.
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And I think that's something we have in common
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that we've both talked about and experienced.
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(upbeat music)
(people chattering)