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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

George and Jemima Billet with family, c. 1852 C.H.T. Costantini

Costantini's convictions

Magazine article by Joanna Gilmour, 2017

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Barbara Blackman, c. 1953 an unknown artist

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope NPPP 2020 exhibition essay

General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

image not online

Portrait Donors Listed by year

Honour board
Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change... NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

The Writer, Peter Goldsworthy, 2018 Deidre But-Husaim

Off grid

Magazine article by Aimee Board, 2019

Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Self portrait, 2005 Rick Amor

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia


Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.