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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Untitled (girl on chair with red shoes) by Violet Frisby

Finding Mrs Frisby

Magazine article by Robyn Sweaney, 2016

Robyn Sweaney's quiet Violet obsession.

Lottie Lyell as Doreen by Monte Luke

Their brilliant careers

Magazine article by Jenny Gall, 2017

Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Albert Jonas and John Xiniwe of The African Choir, 1891 London Stereoscopic Co.

Back in black

Magazine article by Krysia Kitch, 2017

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Betty Bryant, c. 1939

The life of Bryant

Magazine article by Tenille Hands, 2018

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

Portrait of Captain James Cook RN

Unbuttoning uniforms

Magazine article by Sharon Peoples, 2017

Sharon Peoples contemplates costumes and the construction of identity.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Face House – Kyoto, Japan Architect: Kazumasa Yamashita

Alter ego

Magazine article by Tom Fryer, 2021

Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency