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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Earth to earth

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow discusses the recent gift of works by David Campbell.

Self-portrait, 1962 by Judy Cassab

Flesh, figure and rock

Magazine article by Aimee Board, 2018

Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.

Getting a head

Magazine article by Alexandra Roginski, 2015

Alexandra Roginski gets a feel for phrenology’s fundamentals.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency