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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Granny's 90th, 2012 by Katherine Bennett

Katherine Bennett

Finalist interviews

The lady in the centre of this photograph is my partner's Granny. So we are almost directly related, and here, as with all photographic work. I am in a state of exchange though I think only directly, with one of the women!

Paul Kelly, 1992 by Wendy McDougall

Paul Kelly and The Portraits media information

18 June 2013
Archived media releases 2013

Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.

Lucky Day, 2011 by Nikki Toole

Nikki Toole

NPPP 2012 learning resource

An interview with the photographer.

Did you come here to find history?, 2009 Edition 3/3
by Nusra Latif Qureshi

Nusra Latif Qureshi

by Hammad Nasar
Artist essays

Nusra Latif Qureshi was born in Pakistan in 1973 and originally trained in the traditional art of Mughal miniature (musaviri) paintings.

Untitled, 1995 by Fang Lijun

Fang Lijun

Featured Artists

Born 1963, Handan, Hebei Province China. Lives and works in Beijing.

Last Light Ellis Hutch

Reflections

General content

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

She – Unemployed Girl, 2003 by Yu Hong

Yu Hong

Featured Artists

Born 1966 in Beijing, China. Lives and works in Beijing.

Tim Fairfax AC

Tim Fairfax, 2018

by Russell Shakespeare
General content

Commissioned with funds provided by The Calvert-Jones Foundation 2018

Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

by Andrew Bonneau
General content

Commissioned with funds provided by Ross Adler AC 2018

Face of South Sudan, 2012 by Melanie Faith Dove

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

Peter, Silverton, NSW, 2012 by Krystal Seigerman

Krystal Seigerman

Finalist interviews

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.

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Jessica Mauboy

Jessica Mauboy, 2018

by David Rosetzky
General content

Commissioned with funds provided by Sony Music Entertainment Australia 2018

Landlocked, 2008 by Nadiah Bamadhaj

Nadiah Bamadhaj

by Beverly Yong
Artist essays

Born in Malaysia in 1968, to a Malaysian Muslim father and a New Zealander mother of Scottish descent Nadiah Bamadhaj studied Fine Arts in New Zealand, and is currently working on a PhD from Curtin University, Western Australia.

Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

Winner announced for National Photographic Portrait Prize 2019

22 February 2019
Archived media releases 2019

From an outstanding field of more than 3,000 entries, culminating in a shortlist of 39 exceptional finalists, the Winner and Highly Commended entries for this year’s National Photographic Portrait Prize have been named.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency