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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Miles and Arkie, 2015 by Clint Peloso

Shop Talk

Magazine article by Stephen Phillips, 2016

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011
General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

The Conciliation, 1840 by Benjamin Duterrau

The art of conciliation

Magazine article by Gareth Knapman, 2017

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Revd Dr Robert Walker Skating on Duddingston Loch, c.1795 by Sir Henry Raeburn

Great Scots

Magazine article by Diana O'Neil, 2017

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

The Bare story

General content

Curator, Penny Grist, reveals how this exhibition came to be

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Sir Douglas Mawson

Staying home

True south #2
About Face article

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Annette Kellerman, c. 1916

Naked ambition

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour dives into the life of Australian swimming legend Annette Kellerman.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency