Skip to main content

Ticketed entry is in place to safely manage your visit so please book ahead. Need to cancel or rejig? Email bookings@npg.gov.au

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Basil steps out, 2016 by Kristin Headlam
Courtesy the artist and Charles Nodrum Gallery

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Ned Kelly death mask, date unknown an unknown artist after Maximilian Kreitmayer

Getting a head

Magazine article by Alexandra Roginski, 2015

Alexandra Roginski gets a feel for phrenology’s fundamentals.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Sir Lawrence Wackett, c. 1961 William Dargie

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

Barry Humphries, 1958 Clifton Pugh

Uncommon Australians The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Dr Anne Sanders

Less than six degrees of separation Lecture, 28 May 2011

General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham), 2009 Ross Watson

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Helena Rubinstein in a red brocade Balenciaga gown, 1957 Graham Sutherland

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

We would like to thank our partners.
© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.