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Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Herra Pahlasari

At the time of Herra Pahlasari’s birth in 1978, her academic parents were living in Canberra.

Portrait Donors

Where the wild things are

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Nocturnal animals

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Two pair

Arianne McNaught

An interview with the photographer.

Naked nostalgia

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

For the boys

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Vintage Max

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Getting a head

Alexandra Roginski gets a feel for phrenology’s fundamentals.