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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Nourou-gal-derri
Nourou-gal-derri
Nourou-gal-derri

Nourou-gal-derri, 1807-1817

Nicolas-Martin Petit after Barthélemy Roger
Portrait, engraving on paper

Purchased 2009

Ourou-Maré, dit Bull-Dog par les Anglais, Jeune Guerrier de la Tribu des Gwé-Gal
Ourou-Maré, dit Bull-Dog par les Anglais, Jeune Guerrier de la Tribu des Gwé-Gal
Ourou-Maré, dit Bull-Dog par les Anglais, Jeune Guerrier de la Tribu des Gwé-Gal

Ourou-Maré, dit Bull-Dog par les Anglais, Jeune Guerrier de la Tribu des Gwé-Gal, 1807-1817

Barthélemy Roger after Nicolas-Martin Petit
Portrait, engraving on paper

Purchased 2009

Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium

Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium, 2001

eX de Medici
Portrait, pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Nothing's as precious as a hole in the ground, 2001

eX de Medici
Portrait, mangrove bark pigment, watercolour and gouache on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.
Preparatory study for 'Nothing's as precious as a hole in the ground'.
Preparatory study for 'Nothing's as precious as a hole in the ground'.

Preparatory study for 'Nothing's as precious as a hole in the ground'., 2001

eX de Medici
Portrait, watercolour on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern, 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3, 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3, 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. Head studies
Preparatory study for 'Nothing's as precious as a hole in the ground'. Head studies
Preparatory study for 'Nothing's as precious as a hole in the ground'. Head studies

Preparatory study for 'Nothing's as precious as a hole in the ground'. Head studies, 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates
Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates
Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates

Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates, 1824

Francois Peron, Louis de Freycinet, Nicolas-Martin Petit
Portrait, leather bound volume with text and hand coloured engravings and uncoloured engravings

Purchased 2017

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins), 1807-1817

Nicolas-Martin Petit after Barthélemy Roger
Portrait, engraving on paper

Purchased 2009

John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns], 1866

Edouard Gatel
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2016

Portrait 23

March - May 2007
Magazine

This issue of Portrait Magazine features the Reveries: On Photography and Mortality exhibition, Peter Cosgrove, Martin Sharp, Terence Tao and more.
Richard Walsh, Editor OZ magazine at the Hunter Street offices
Richard Walsh, Editor OZ magazine at the Hunter Street offices
Richard Walsh, Editor OZ magazine at the Hunter Street offices

Richard Walsh, Editor OZ magazine at the Hunter Street offices, c. 1966 (printed 2021)

Robert McFarlane
Portrait, gelatin silver photograph on paper

Purchased with funds provided by Tim Bednall 2021

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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