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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium

Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium, 2001

eX de Medici
Portrait, pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Head studies
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Head studies
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Head studies

Preparatory study for 'Nothing's as precious as a hole in the ground'. Head studies, 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3, 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.
Preparatory study for 'Nothing's as precious as a hole in the ground'.
Preparatory study for 'Nothing's as precious as a hole in the ground'.

Preparatory study for 'Nothing's as precious as a hole in the ground'., 2001

eX de Medici
Portrait, watercolour on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern, 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3, 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)
Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins)

Gnoung-a-gnoung-a Mour-re-mour-ga (dit Collins), 1807-1817

Nicolas-Martin Petit after Barthélemy Roger
Portrait, engraving on paper

Purchased 2009

Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates
Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates
Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates

Voyage de Découvertes aux Terres Australes folio atlas, second edition, containing a double-page map of Australia, seven full-page charts, two double-page views (one of Sydney), 27 hand-coloured engraving plates and 31 uncoloured engraving plates, 1824

Francois Peron, Louis de Freycinet, Nicolas-Martin Petit
Portrait, leather bound volume with text and hand coloured engravings and uncoloured engravings

Purchased 2017

John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]
John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns], 1866

Edouard Gatel
Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2016

Aldo Giurgola

by Mandy Martin
Portrait story

Romaldo Giurgola talks about his portrait and the relationship between architecture and landscape.

The Hon. Edward Gough Whitlam by Martin Wilson

Fuzzy Prime Ministers of Australia

Previous exhibition, 2001

In the one hundred years since Federation, Australia has produced twenty-five Prime Ministers of all shapes, shades and sizes

Catherine Martin

The love, life and art of Bazmark

Passion

Fruitful fusion

Andrew Cowen

Andrew Cowen

Winner, National Photographic Portrait Prize 2014
General content

Andrew Cowen on photographing his friend Matthew Martin.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency