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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Fred Hilmer

Fred Hilmer, 2018

by Evert Ploeg
General content

Commissioned with funds provided by Dr Helen Nugent AO 2018

Self portrait, 1786 by John Kay

Alternative virtue

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

Portrait of Ingvar Kenne, 2012 by Simon Harsent

Simon Harsent

Finalist interviews

I like to think I'm an artist who uses photography as my medium, but I work commercially as a photographer and it's my full time occupation so I guess that defines me as a photographer or maybe a commercial artist?

Mrs NR Mackintosh (Anne) by Ruth Hollick

Natural, artistic and unselfconscious

Magazine article by Angus Trumble, 2016

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

Queen Victoria
Queen Victoria
Queen Victoria

Queen Victoria, 1901

The Illustrated London News after Jean Joseph Benjamin-Constant
Portrait, photogravure on paper

Collection: National Portrait Gallery
Purchased 2018

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Drawing Australia

Drawing power

Magazine article by Eileen Adams, 2006

The National Portrait Gallery joins the Big Draw, a program dedicated to promoting drawing as a tool for thought, creativity, social and cultural engagement.

George and Jemima Billet with family

Costantini's convictions

Magazine article by Joanna Gilmour, 2017

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Nicole Kidman

9 lives of Karin Catt

Magazine article by Simon Elliott, 2006

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency