A short overview of modern Chinese art from 1949 to the present.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
An interview with the photographer.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Cate Blanchett and the art of acting in Rosetzky’s digital portrait.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
