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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Making Sense of Place #4 (Portrait of Professor George Seddon)

Making Sense of Place #4 (Portrait of Professor George Seddon)

Making Sense of Place #4 (Portrait of Professor George Seddon)

Making Sense of Place #4 (Portrait of Professor George Seddon), 2007

Peteris Ciemitis

Portrait, watercolour and pastel on paper

Collection: National Portrait Gallery
Gift of Marli Wallace 2010
Donated through the Australian Government's Cultural Gifts Program

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Disillusion self portrait

Disillusion self portrait

Disillusion self portrait

Disillusion self portrait, 1983

Portrait, pastel and charcoal on paper

Collection: National Portrait Gallery
Gift of Robin MacQueen 2007

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Reg Richardson AM

Grow the Portrait Gallery of Australia

Archived media releases 2016

The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.

image not online

Meg Padgham

Meg Padgham studied at East Sydney Technical College and the Meldrum School.

1 portrait in the collection

The Bee Gees, Kings Cross

The Bee Gees, Kings Cross

The Bee Gees, Kings Cross

The Bee Gees, Kings Cross, 1970-1971

Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2021

The Assumption of Virginity, 2014 video: 1 minute

The Assumption of Virginity, 2014

by Xanthe Dobbie

General content

Finalist, MDPA 2014

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam

Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

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David Warren

David Warren graduated from RMIT in 1964, after which he taught for some twenty years at the Prahran School of Art, RMIT and Ballarat CAE.

1 portrait in the collection

The Bee Gees, Kings Cross

The Bee Gees

Known as the 'Kings of Disco', The Bee Gees have sold over 120 million records worldwide and are among the highest-selling musical artists in history.

1 portrait in the collection

image not online

Barry Walsh

Barry Walsh (b. 1951) is a painter, photographer and printmaker who has studied in Italy and France and has exhibited since the early '80s in Europe as well as Australia.

1 portrait in the collection

Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014

Archived media releases 2014

Press releases and image downloads for media.

Lady Jessie and Sir Donald Bradman, Kensington Park, Adelaide, South Australia

A good innings

Childhood sweethearts

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency