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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Lola Montes

You beauty

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.

Sir Edward Holden

Promise Fulfilled

Magazine article by Dr Sarah Engledow, 2006

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Study for Aunty Mary King, 2010 by Mathew Lynn

The animating signature

Magazine article by Joanna Gilmour, 2019

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

Frame from Self portrait, 2008

I walk the line

Magazine article by Michael Desmond, 2009

Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.

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Reflections on castles

Magazine article by Andrew Sayers AM, 2004

Andrew Sayers describes the unique characteristics of the international band of portrait galleries.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

The possessed, 1942 by Albert Tucker

The inner voice

Magazine article by Dr Christopher Chapman, 2011

Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.

The Conciliation, 1840 by Benjamin Duterrau

The art of conciliation

Magazine article by Gareth Knapman, 2017

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency