Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sam and the Perfect World, 2005

The news from Washington

Magazine article by Lauretta Morton, 2006

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Mia Wasikowska as Robyn Davidson at Hamelin Pool, 2013 by Matt Nettheim

Hump days

Magazine article by Jessica Bolton, 2017

Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.

Neil Murray

True fella

Magazine article by Michael Desmond, 2011

Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Federal Statistican Knibbs

The numbers man

Magazine article by Dr Sarah Engledow, 2011

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

After Dante’s Inferno, 2018 Sarah Rhodes © the artist

Observation point

Magazine article by Sarah Rhodes, 2019

I met Clara while teaching photomedia at the University of Tasmania last year. One of her assignments focused on her relationship with her former boyfriend, who she now works for as his live-in carer.

High school, 2008

Subtle emotion

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Peter Wilmoth, age 12, with copies of Our World 1974 Courtesy of the author

Paper, boy

Magazine article by Peter Wilmoth, 2016

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Cadel Evans

Winning in technicolor

Magazine article by Alistair McGhie, 2009

Alistair McGhie writes about the portraits of three of Australia's top professional cyclists: Cadel Evans, Stuart O'Grady and Robbie McEwen painted by Matthys Gerber.

The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Mutiny on the Bounty (The Mutineers turning Lieutenant Bligh and part of the officers and crew adrift from His Majesty's Ship the Bounty)

High & Bligh

Magazine article by Joanna Gilmour, 2008

Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.

Self portrait

Me Myself I

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.

Portrait of Susan Wakil AO

About grace

Magazine article by Penelope Grist, 2020

Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.

Stevie Wright

Tribute

Stevie Wright
Magazine article, 2016

Stevie Wright (1947-2015), singer-songwriter, came to Australia from England at the age of nine.

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency