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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Angus Trumble with Portrait of Sir Joseph Banks by Thomas Phillips

Banksia and grevillea

About Face article

Portraits can render honour to remarkable men and women, but there are other ways.

Lee Kernaghan near Broken Hill

Milestones

About Face article

This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals.

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

Asiel Timor Dei, ca. 1728 by a master of Calamarca

The Viceroyalty of New Spain

About Face article

European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.

Trumble and Borthwick families (Mum front right, Angus smallest), ca. 1968

Humdinger

About Face article

At a meeting by teleconference of the National Portrait Gallery Foundation last week, I found myself reporting that our forthcoming exhibition So Fine is going to be “a humdinger,” whereupon Tim Fairfax chuckled and said that he hadn’t heard that expression for years.

Ursula Hoff

Remembering Ursula

About Face article

I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.

Thomas Woolner

The mystery of Enoch Arden

About Face article

Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

The Triumph of Death, c. 1562 by Pieter Bruegel the Elder

The Black Death

About Face article

The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.

Trumble's way

About Face article

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Helena Rubinstein in a red brocade Balenciaga gown

Crème Valaze

From lanolin to Balenciaga

About Face article

Helena Rubinstein (1872‒1965) was the first self-made millionairess of modern times, and created the first publicly-listed global cosmetics corporation.

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Angus and the late Peter C. Trumble, 1965, still then a firm advocate of the detachable collar.

Dementia and the arts

About Face article

That principle of equity of access has ever since been a noble aspiration for all public art museums, as it is for us here at the National Portrait Gallery.

Cover, first minute book of the Tasmanian Society of Natural History

Embrace your inner nerd

About Face article

The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

Angus Young

Angus Young

Angus Young

Angus Young, 2003 (printed 2014)

Portrait, type C photograph on paper

Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.

© National Portrait Gallery 2024
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Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency