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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

A guy from Paris

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

The Dissecting Room

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture. 

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Selfhood transcended

Magazine article by Dr Anne Sanders and Dr Christopher Chapman, 2018

Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.

Sure thing

Magazine article by Michael Desmond, 2009

Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Sir Thomas Gore-Browne, 1864

J. Walch & Sons
Portrait, tinted lithograph on paper

Collection: National Portrait Gallery
Purchased 2018

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Where the wild things are

Magazine article by Michael Desmond, 2009

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Unbuttoning uniforms

Magazine article by Sharon Peoples, 2017

Sharon Peoples contemplates costumes and the construction of identity.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency