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Big bouquet of Blackmans

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

A real Pratt

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Top shot that

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

School portraits

Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

Vanity fair

Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.

Arcadia: Sound of the sea

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

Political profiles

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Uncommon Australians

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

The Rothschilds, the Montefiores, and the Victorian Gold Rush

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.

An Australian story

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

The bright-eyed Mariner

Portraiture in a Bleak House

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

A reflection on conversation pieces

There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.

The Wentworths – Hidden in Plain Sight

Grace Carroll on the gendered world of the Wentworths.