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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Rev. Victor B. Walls and Mrs. Walls, Trinidad, B.W.I., c.1930

The first nurse

Magazine article by Tamsin Hong, 2016

Tamsin Hong recounts the tale of Marion Smith, the only known Australian Indigenous servicewoman of World War One.

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Portrait of Private Edward Lello 1915 by Darge Photographic Company

Final frame

Magazine article by Karl James, 2016

Karl James reflects on soldier portraiture during the Great War.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Yhonnie and Indiana, 2012

Surface tension

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour on the National Photographic Portrait Prize 2013.

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Jean-Paul Sartre, 1946

Insightful

Magazine article by Robert McFarlane, 2004

Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.

Betty Bryant, c. 1939

The life of Bryant

Magazine article by Tenille Hands, 2018

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

© National Portrait Gallery 2021
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency