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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

Life Dancers, 2015 by Elizabeth Looker

National Photographic Portrait Prize 2016

Previous exhibition, 2016

The National Photographic Portrait Prize exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Bed piece, 1972 by Chris Burden

The boy, the bed and the gun

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman contemplates the provocative performance art of Chris Burden. 

Last Light Ellis Hutch

Reflections

General content

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

Maryan, 2010 by Rod McNicol

Life and time

Portraits by Rod McNicol
Previous exhibition, 2015

Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate. 

Tariro, 2010 by Rod McNicol

Village people

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman discusses Rod McNicol's photographic portrait series Newcomers to my village.

Kid A, 2014 by Joshua Morris

Swimming every day

Magazine article by Dr Christopher Chapman, 2015

National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

All that fall

Sacrifice, life and loss in the First World War
Previous exhibition, 2015

Focussing on the wide-ranging theme of loss and absence, this exhibition provides a moving ‘portrait’ of loss during the First World War on the Australian home front. Powerful symbolic images, including contemporary works, evoke the emotional intensity of loss. All that fall: Sacrifice, life and loss in the First World War is the National Portrait Gallery’s contribution to the Anzac Centenary.

Portrait of Ali, 2014 by Hoda Afshar

National Photographic Portrait Prize 2015

Previous exhibition, 2015

The National Photographic Portrait Prize exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay
General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Hetti

Beauty and strength

Portraits by Michael Riley
Previous exhibition, 2014

Influential Indigenous Australian artist Michael Riley (1960 - 2004) created these portrait photographs between 1984 and 1990 - they stand as an intricately connected group portrait of the vibrant urban-based Indigenous arts community in Sydney's inner-west at a formative moment.

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  

Dovima with elephants, evening dress by Dior, Cirque d'Hiver, Paris, August 1955 by Richard Avedon

Richard Avedon People

Previous exhibition, 2013

American photographer Richard Avedon produced portrait photographs that defined the twentieth century. Developed in partnership with the Richard Avedon Foundation in New York, the first Australian exhibition of Avedon’s bold portraits reveals the glamour and drama of his iconic artistic work.

Names not known by Ingvar Kenne

Ingvar Kenne

Citizen
Previous exhibition, 2012

Swedish-born Australian photographer, Ingvar Kenne, captures both individuality and shared human experience in his ongoing portrait project Citizen.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency