Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
